diablo175 Posted November 29, 2017 Share Posted November 29, 2017 Per my post in Ask The HFC Experts, I've snagged this '98 Marshall 1960B flat front 4 x 12 in a bid to remedy the lack of "oomph" in my guitar tone. Welcome to Oomph-ville. Link to comment Share on other sites More sharing options...
killerteddybear Posted November 29, 2017 Share Posted November 29, 2017 Looks evil in the best possible way. Link to comment Share on other sites More sharing options...
scottcald Posted November 30, 2017 Share Posted November 30, 2017 Very cool! If only it had a green grill cloth. Link to comment Share on other sites More sharing options...
diablo175 Posted November 30, 2017 Author Share Posted November 30, 2017 13 minutes ago, scottcald said: Very cool! If only it had a green grill cloth. It would be easy enough to spray green checks on there but, not all of my axes have that same color or design... Link to comment Share on other sites More sharing options...
RobB Posted November 30, 2017 Share Posted November 30, 2017 Nice, dude! G75s or V30s? Nothing moves air like a gen-u-wine Marshall straight cab. I still gig with my Bogner straight cab because it sounds so godly. Don't give a rats ass if it's heavy. As long as I can still lift it safely, I'll use the dang thing. Link to comment Share on other sites More sharing options...
scottcald Posted November 30, 2017 Share Posted November 30, 2017 5 hours ago, diablo175 said: It would be easy enough to spray green checks on there but, not all of my axes have that same color or design... Could just make the piping green to match up to the HEL coming in. Link to comment Share on other sites More sharing options...
Steve Haynie Posted November 30, 2017 Share Posted November 30, 2017 Marshall cabs look best in factory black. Colors are for when you already have the black heads and cabinets. Link to comment Share on other sites More sharing options...
black magic Posted November 30, 2017 Share Posted November 30, 2017 Great buy man!! I have a 1960A with the GT-75`s and love it. I have been looking for a very nice B for a while locally. It seems they sold way/way more many A`s than B`s. Link to comment Share on other sites More sharing options...
DaveH Posted December 3, 2017 Share Posted December 3, 2017 That's awesome! So how are you liking it? Link to comment Share on other sites More sharing options...
diablo175 Posted December 4, 2017 Author Share Posted December 4, 2017 On 12/3/2017 at 12:24 PM, DaveH said: That's awesome! So how are you liking it? Loving it! Definite discernible improvement in oomph! I'll be anxious to see how the rest of the band reacts (if at all) during rehearsal this weekend. Link to comment Share on other sites More sharing options...
diablo175 Posted December 11, 2017 Author Share Posted December 11, 2017 Amp/new cab report: After using the new cab in conjunction with the newly revamped head (new tubes and transformer) during a full fledged, bona fide band rehearsal, I am happy to report this set up kicks all sorts of major ass! And while it's easy to dismiss my jubilant, glowing review and exaltation as customary hyperbole, I really am floored by how much better this rig sounds. My Cali's have taken on new sonic dimensions and fullness! The band noted how much more of my playing they could actually hear though that may not be a good thing. Some unwanted volume issues did also come up as a result of my new rig set up but the oomph was both tangible and impressive. The clarity was noteworthy despite the low down, dark and dirty being a little bit more ominous. I cannot wait to use this in a gig situation, and lucky for me, I have one coming up this weekend! Sadly, this is the joint I posted about in Sept. that has an owner who is volume shy and would not appreciate the beauty of a hard driven Marshall JVM 205 thru a badass 1960B flat front cab. It's sort of shame this rig wasn't in place back at Nov's gig at the airplane hangar. We did a benefit show where we didn't rely on in-ears, instead, using a couple of huge monitors behind us to both provide our monitoring as well as projecting to the audience. We also dialed up our amps to help project and I found my rig lacking then. If I had this current one, it would've been a vastly different story! Link to comment Share on other sites More sharing options...
DaveH Posted December 12, 2017 Share Posted December 12, 2017 AWESOME report! As for the "volume shy owner".... BURN BRIDGES, baby!!! Link to comment Share on other sites More sharing options...
diablo175 Posted December 12, 2017 Author Share Posted December 12, 2017 5 minutes ago, DaveH said: AWESOME report! As for the "volume shy owner".... BURN BRIDGES, baby!!! Tempting except we have 4 more gigs after, lined up for 2018 Don't wanna burn them bridges too badly. Luckily, this cab sounds sweet at any volume. Not sure it will be clearly conveyed via PA mic-ing but it's gotta be somewhat improved. Link to comment Share on other sites More sharing options...
scottcald Posted December 12, 2017 Share Posted December 12, 2017 25 minutes ago, diablo175 said: Not sure it will be clearly conveyed via PA mic-ing but it's gotta be somewhat improved. Like anything else, it depends on how it's done. Link to comment Share on other sites More sharing options...
diablo175 Posted December 12, 2017 Author Share Posted December 12, 2017 3 minutes ago, scottcald said: Like anything else, it depends on how it's done. I'm open to any suggestions the board has for accomplishing that. Link to comment Share on other sites More sharing options...
scottcald Posted December 12, 2017 Share Posted December 12, 2017 Is what's in the pic what you normally do to mic it? Also, is it low end you're missing typically? Link to comment Share on other sites More sharing options...
scottcald Posted December 12, 2017 Share Posted December 12, 2017 A number of ways to approach. First is simply with mic placement. Move further off the center of the cone and maybe a couple inches out if you have the space and enough volume. Another thing I might do, is take a split and use two channels in the PA. Then, EQ one channel as normal. The second channel, EQ to accent what you think is missing. Then you can blend as necessary. Yet another way to approach is to use a Hughes and Kettner RedBox between amp and cab for your second channel. There are a number of options to set on it in addition to the EQ, so more variation and a second source rather than a simple split. Hopefully something in there is helpful. Link to comment Share on other sites More sharing options...
sixesandsevens Posted December 12, 2017 Share Posted December 12, 2017 Congrats! What was your rig before this? Link to comment Share on other sites More sharing options...
DBraz Posted December 12, 2017 Share Posted December 12, 2017 Every part of the equation helps. Really glad it worked out well for you. Revel in the thump! Link to comment Share on other sites More sharing options...
diablo175 Posted December 12, 2017 Author Share Posted December 12, 2017 17 hours ago, sixesandsevens said: Congrats! What was your rig before this? Stock Marshall JVM 205 50W head on a Marshall M412A. The M412A was their budget 4 x 12 offering at the time (don't think they make it anymore) and I was initially stoked as it sounded better than the Kustom HV100 Series 4 x 12 I had before that. Link to comment Share on other sites More sharing options...
scottcald Posted December 13, 2017 Share Posted December 13, 2017 Ah, gotcha. Link to comment Share on other sites More sharing options...
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