tommy p Posted January 11, 2018 Share Posted January 11, 2018 http://ultimateclassicrock.com/motorhead-fast-eddie-clarke-dies/ Link to comment Share on other sites More sharing options...
Hamerica Posted January 11, 2018 Share Posted January 11, 2018 "Say What You Will" but TDC. Hamerica Link to comment Share on other sites More sharing options...
gorch Posted January 11, 2018 Share Posted January 11, 2018 Quite an inner circle this band has been. Anyone knows the background on his pneumonia? Link to comment Share on other sites More sharing options...
princeofdarkness56 Posted January 11, 2018 Share Posted January 11, 2018 So I’m hearing he just died ? Link to comment Share on other sites More sharing options...
Willie G. Moseley Posted January 11, 2018 Share Posted January 11, 2018 No Sleep 'Til Hammersmith is arguably the definitive British hard rock/metal album. Lemmy was delighted that it was compared to the MC5's first album (also live). I've got the CD w/ the extra tracks from an EP (IIRC) called The Golden Years (IIRC). Great guitar tones, bass tones, riffs, etc. Gets more time in the CD player than any other Motorhead album. Link to comment Share on other sites More sharing options...
Steve Haynie Posted January 11, 2018 Share Posted January 11, 2018 I never heard of him until the first Fastway album came out. Link to comment Share on other sites More sharing options...
scottcald Posted January 11, 2018 Share Posted January 11, 2018 Of course he did cool stuff with Motorhead. I loved the Fastway album and Fast Eddie's tone and playing on it. I still listen to it. RIP. Link to comment Share on other sites More sharing options...
sixesandsevens Posted January 11, 2018 Share Posted January 11, 2018 7 hours ago, gtrdaddy said: Wow, who knew they were all IBS? I suppose in a couple of weeks a better descriptor for fast Eddie will be RBS.... What's IBS? RBS? Link to comment Share on other sites More sharing options...
trashedman Posted January 11, 2018 Share Posted January 11, 2018 3 hours ago, Willie G. Moseley said: No Sleep 'Til Hammersmith is arguably the definitive British hard rock/metal album. Lemmy was delighted that it was compared to the MC5's first album (also live). I've got the CD w/ the extra tracks from an EP (IIRC) called The Golden Years (IIRC). Great guitar tones, bass tones, riffs, etc. Gets more time in the CD player than any other Motorhead album. No Sleep 'Til Hammersmith is arguably the definitive British hard rock/metal album. Thank you Willie! Link to comment Share on other sites More sharing options...
mrjamiam Posted January 11, 2018 Share Posted January 11, 2018 1 hour ago, gtrdaddy said: The natural evolution of HFC acronyms: TDC: the dying continues IBS: in bad shape RBS: really bad shape Thank goodness. I was hoping he didn't die of irritable bowel syndrome. Link to comment Share on other sites More sharing options...
seeker Posted January 12, 2018 Share Posted January 12, 2018 10 hours ago, Willie G. Moseley said: I've got the CD w/ the extra tracks from an EP (IIRC) called The Golden Years (IIRC). Imho, Deadmen Tell No Tales from that EP is the definitive Motorhead track. They were just on fire. Link to comment Share on other sites More sharing options...
RobB Posted January 12, 2018 Share Posted January 12, 2018 RIP, Eddie. He is one of the innovators who truly worked simple, RnR riffs into punk/speed/metal. He always played for the song. Like he said, " a band is a team effort." Saw Motorhead BITD, opening for Maiden/Saxon, etc. and they always blew doors. Eddie never showed off his chops, never tried to compete with his "shredder" contemporaries and always sounded huge. He was (and still is) underappreciated in his time. To me, he is one of the greats along the lines of Mick Ralphs, Paul Kossoff, Mick Ronson, et al. Link to comment Share on other sites More sharing options...
DaveL Posted January 12, 2018 Share Posted January 12, 2018 R.I.P... Thought he did a great job putting together Fastway in a short amount of time... Pete Way was tied up with record company troubles with Chrysalis and got freaked out and stopped showing up to practice... which he totally regretted but that's Pete for ya. Those albums are pretty good, Lemmy some of those albums he put out in the post eddie period. 1916, orgasmatron,. rock and roll are very solid. Another Perfect Day has some good tunes, although probably not what you'd consider classic motorhead. Link to comment Share on other sites More sharing options...
Willie G. Moseley Posted January 12, 2018 Share Posted January 12, 2018 What kind of setup did Clarke use on "Stone Dead Forever" (studio version as well as live version on The Golden Years)? I always thought the lead guitars breaks had a very unique and memorable tone--forceful but not too brittle, yet not too thick (like a Les Paul); sort of a "tonally hollow" sound for lack of a better term. Lemmy's bass obviously enhanced both versions of that song, as well, IMO. Link to comment Share on other sites More sharing options...
mrjamiam Posted January 12, 2018 Share Posted January 12, 2018 1 hour ago, Willie G. Moseley said: What kind of setup did Clarke use on "Stone Dead Forever" (studio version as well as live version on The Golden Years)? I always thought the lead guitars breaks had a very unique and memorable tone--forceful but not too brittle, yet not too thick (like a Les Paul); sort of a "tonally hollow" sound for lack of a better term.... I don't know the answer to your question, but this is the internet, so I can reply without knowledge. Whenever I think of "tonally hollow" electric guitar sounds, I think "out of phase pickups". Link to comment Share on other sites More sharing options...
seeker Posted January 12, 2018 Share Posted January 12, 2018 Sounds like a neck pup to me. He normally used a HB-bridge loaded Strat, but that doesn't sound like a SC pup. From the cover of the EP you can see the edge of an LP. Found a full pic of it (on pinterest but can't seem to link to it). Looks kind of like a stripped LP Deluxe with mini bucker in bridge but some blade pup in the neck. Link to comment Share on other sites More sharing options...
tommy p Posted January 12, 2018 Author Share Posted January 12, 2018 5 hours ago, DaveL said: R.I.P... Thought he did a great job putting together Fastway in a short amount of time... Pete Way was tied up with record company troubles with Chrysalis and got freaked out and stopped showing up to practice... which he totally regretted but that's Pete for ya. Those albums are pretty good, Lemmy some of those albums he put out in the post eddie period. 1916, orgasmatron,. rock and roll are very solid. Another Perfect Day has some good tunes, although probably not what you'd consider classic motorhead. I totally agree that Another Perfect Day is not "classic" Mötörhead but it IS my personal favorite of theirs. Lately I've seen a surprising number of people who agree. For a while there, it was every Mötörhead fan's least favorite. However, to me, the Fast Eddie era is the only classic Mötörhead. I also agree that after the APD anomaly, the next 3 albums were pretty strong, especially 1916, but after that they pretty much went the way of so many of my favorite bands. I looked forward with great hope to each new release but got 2-3 good songs and a pile of not-so-good songs. I'm glad I got to see Fast Eddie a couple of times in Fastway, and Mötörhead once with the two guitar lineup which reminds me... I need to find a good pic of me and my cat, Würzel, for the BFF thread. Link to comment Share on other sites More sharing options...
Willie G. Moseley Posted January 12, 2018 Share Posted January 12, 2018 Just to clarify the "tonally hollow" term, I was thinking it had an odd-and-listenable type of resonance. And it's funny: I knew who Motorhead was thanks to Creem magazine, which lampooned them a couple of times during the Clarke era, but for all of the classic stuff associated w/ Clarke, the first song of theirs I heard (and saw) was "One Track Mind" (from Another Perfect Day), a performance video on MTV. Among the rarer CDs I've got is a bootleg/unauthorized release of a concert with Robbo on guitar recorded in Sheffield, England in '83. IMO, while the band may have, er, actually matured over the decades, the "best collection of great riffs on one album" (vs. "classic albums"--IMO there can be a difference) may well have been what was heard on Bastards (except that gawdawful rumination on incest). Again, YMMV. Link to comment Share on other sites More sharing options...
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