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Keoghpjk last won the day on March 24 2019

Keoghpjk had the most liked content!

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About Keoghpjk

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    Mosinee, WI

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  1. Years after I foolishly sold it, I was able to buy my very first Hamer back. It’s certainly not the fanciest guitar they ever made, but it was the one I scrimped and saved for back when Hamers were just out of my reach. At some point I sold it because other guitars had my attention. Soon after it was gone I realized that over the years it had become my benchmark with which I’d measured every guitar after. This guitar became far more to me than the sum of it’s all-stock, slightly unassuming parts. This is the guitar I had in my mind when I was planning my Shishkov. I’ve been missing it terribly since I let it go. As soon as I saw the thumbnail picture in my Reverb feed I knew it was my dear old friend. It arrived exactly as I last saw it, and I’m even happier then when I first brought it home long ago.
  2. This is what I've found in the nooks and crannies of my house: BAY STATE 1898 Style E CHARVEL 2019 Pro-Mod DK24 HSH 2PT CM FENDER 1978 Precision Bass 1989 HM Strat 1989 HM Strat 1994 Standard Telecaster 1995 ‘75 Jazz Bass 2001 Standard Jazz Bass Fretless 2013 American Standard Rustic Ash Stratocaster 2016 Deluxe Roadhouse Stratocaster 2017 American Special Raw Ash Stratocaster 2017 Standard Jazz Bass Fretless 2017 Special Edition ‘70s Precision Bass 2018 60th Anniversary Classic Jazzmaster 2018 American Professional Rosewood Neck Precision Bass 2018 American Professional Rosewood Neck Jazz Bass 2019 Alternate Reality Tenor Tele 2019 Alternate Reality Tenor Tele FERNANDES 1998 TE-1N FRAMUS 1966 Texan 12 G&L 2017 JB 2017 ASAT Classic Bluesboy 2018 M-2000 GIBSON 1952 L-48 1958 LG-0 1965 C-1 2001 Custom Shop Les Paul Classic Mahogany 2005 Les Paul Classic 1960 2018 ES-339 2019 ES-339 GUILD 1968 Mark I HAMER 1979 Sunburst 1983 Phantom A5 1983 Blitz 1984 Phantom A5 1984 Blitz Bass 1985 Vector 1986 Chaparral Custom 1987 Chaparral Custom 1988 Chaparral Custom 1988 Cruisebass 1992 Chaparral Bass 1994 Mirage 1996 Mirage 1998 Artist Ultimate (No. 10) 2002 Studio Custom 2003 Duotone Custom 2004 Improv (No. 6) IBANEZ 2018 AVC10MHOPN PAUL REED SMITH 1996 Standard 22 ROBIN 1983 RV-1 SHISHKOV 2019 DC Custom WARMOTH 2019 Keogh Soloist WARWICK 1998 Fortress Masterman
  3. It's time for my annual spring cleaning, and am parting with some guitars that I just haven't played much over the last year. First up is this 2019 Gibson ES-339 in Dark Natural. I acquired a pair of ES-339s this past summer, and unfortunately this one that hasn't received the love it deserves. The guitar is in mint, all original condition with the OHSC and case candy. I've probably had it out of the case for less than 3 hours since I've had it. I have this on Reverb, but would be happy to pass it on for a bit less through this fine board if I can clear $1900 after shipping and any fees, though I am open to offers. More information, and pictures can be provided upon request. Specs: Finish: Dark Natural Gloss Nitrocellulose Lacquer Neck: Quarter-Sawn Mahogany Neck Profile: Rounded "C" Fingerboard: Rosewood Inlays: Pearloid Dots Nut: Bone Nut Width: 1.687" Frets: Medium Jumbo - 18% Nickel Silver Number of Frets: 22 Scale Length: 24.75" Fingerboard Radius: 12" End of Board Width: 2.241" Top: 3-ply Maple/Poplar/Maple Back: 3-ply Maple/Poplar/Maple Rim Materical: 3-ply Maple/Poplar/Maple Centerblock: Maple Bracing: Spruce Binding: Single-ply Cream Hardware Finish: Nickel Bridge: ABR-1 with plated brass saddles Tailpiece: Die-cast Zinc Stopbar Tuners: Grover Milk Bottle Rotomatics Pickguard: 5-Ply Black Knobs: Gold Top Hats with Silver Inserts Switch Tip: Cream Truss Rod Cover: Black/White Neck Pickup: MHS II Humbucker Rhythm Bridge Pickup: MHS II Humbucker Lead Controls: Memphis Tone Control Plus (MTC Plus) circuitry - 2 volumes, 2 tones, 1 toggle switch, hand-wired with 500K potentiometers and orange drop capacitors
  4. That is one of the few instruments I almost regret selling. I’m glad it found a good home, however. I think it’s getting more well deserved attention with you than I could have provided.
  5. I happened to stumble across this interestingly modded Robin RV-1 from (what I believe to be) the early the '80s for just under $500 at DGS, and was lucky enough to snag it. It arrived on the coldest morning so far this year, so after patiently waiting for it to acclimate I was able to unbox it, give it a bit of a clean, do a setup and get to unraveling what's been done to it over the last few decades. The guitar has clearly been played a lot over the years, but has been very well looked after. There's a lot of honest wear from years of being used, and it's my belief it was played so much because it's a hell of a good feeling, and sounding guitar. Unplugged, it resonates as well as any tremolo equipped bolt-on I've played, and the neck has been played-in beautifully. It's a rather chunky neck, something on the fat side of a typical '60s Strat carve (round-lam board and all). This was both unsurprising due to the fact that it's basically a Tokai Springy Sound neck (outside of the headstock), and slightly unexpected because with that headstock and body my eyes told me it should have something more towards the shredder end of the spectrum. That being said, the neck feels quite comfortable. The frets are in good shape, and I'd hazard a guess that they've been dressed in the not too distant past. At one point it seems to have had a Kahler-style locking mechanism above the nut long enough to make an impression in the finish. Someone did a fairly decent job removing that, and adding what looks (and smells) to me like a well cut bone nut. I'm not so nuts about the installation of the Schaller tuners. The shafts are significantly taller than the vintage units it would have originally had, and the buttons are a bit too close together. The guitar weighs in around 7lbs, and the body has few nicks and dings for it's age. There's the requisite buckle-rash on the back, and on the front what looks to me like faint marks left by string-lock screws from some sort of quasi Floyd-ish type bridge. I see no indication it ever had anything other than a six-screw mount tremolo, however. Something close to the original bridge is currently on it, but a huge brass block has been affixed to it. The block is so big it's effectively blocking the trem quite nicely. Outside of the tuners, I'm not seeing anything I'll likely be doing to the hardware anytime soon. The electronics are interesting. I've not sussed it all out quite yet, but there seems to be a Bill Lawrence L-100 (with the metal surround crammed into the pickup ring so tight that height adjustment will take some elbow grease) running to added coil-split and some sort of series/parallel switch and then to an unidentified preamp using the original switch location. Without the preamp engaged there's more tonal variety than I was expecting with those additional switches. The volume and tone pots are decent units that are fairly expressive as well. I've never had the chance to try out a L-100 before, and I'm liking it quite a bit. With the preamp engaged, full-on Armageddon level things occur. The switches cease to do anything other than make barely perceptible changes to what sounds to me like an all-out dimed Boss HM-2 stuffed into the guitar. I've not messed with the three trim pots on the preamp's circuit board, they all seem to be close to fully cranked and I'm not even close to done being amused by it as-is. I plan on getting a better grasp of what's going on under the hood eventually, but at this point I'm enjoying this too much to worry about the how, what and why's of it all. I am happy as hell with this one.
  6. I’ve been thinking the same. I’ve not seen an L-100 with the surround before, but I have seen plenty of Lawrence stuff that’s surprised me over the years.
  7. I’ve been trying to ascertain that as I wait for it to arrive, based on the few pictures in the posting. I’m eager to get to the bottom of that, as well as sort out what exactly was stuffed into the control cavity. It should be here early next week.
  8. Happy to have helped. Even with all the modifications, I couldn’t resist it at that price. Not a bad way to start the new year!
  9. I’m never after specific sounds when choosing new guitars. I simply buy based on them having something intrinsically interesting that’s caught my attention. Outside of necessary repairs, I rarely do any pickup/electronics swapping. I just buy more guitars and see what new sounds I can get out of them. I love the process of making a guitar work for me, even if the build, pickups or electronics are not to my current tastes. Often, I find they’ll give me sounds that at first blush may seem awful and unusable, but eventually become a wonderful color I didn’t know existed. As for those rare guitars that don’t seem to have anything to offer, well I’m sure they’ll eventually have something that catches my attention as my tastes change.
  10. I never hold my breath any case will stay with the guitar when dealing with used GC buys, but I’ve learned to ask them track it down while I’m on the phone with them and then I ask them to send me a pic of the case tag. Then I hope against hope that they remember to actually put the guitar in the case after they ring up the purchase. That part’s a crapshoot.
  11. Last week one of my contacts at GC who knows of my fondness for Chaparrals told me one had popped-up as part a large collection brought in at a Dallas store. There were no pictures yet for the listing, and when I called the store to get a description it became clear they had a miss-labeled Cali on their hands. My interest has usually been for Chaparrals, and I was initially going to pass, but the fact this '88 Cali was bone stock original with OBLs, a recessed OFR and boomers peaked my interest. After a little bit of back and forth I decided I needed to finally get a Cali in my fleet. It arrived today and holy hell is it wonderful! An absolutely simple yet elegant and refined machine! The story I was given indicated it was sold to GC by the original owner who bought it in London. It's definitely been played (the back of the neck is worn-in quite beautifully), but it's been well cared for over the years. I was told the case was what it came in when it was bought new, but I've never seen this particular kind of case previously. It's quite nice, and fits the guitar like a glove.
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