+1, It reminds me of those old Kays, and those tulip-cutaway Rickenbacker guitars of the '50s, and Tokai Talbos. Yikes, talk about a mess of potential influences one way or the other. :wacko:
I'm having flashbacks. I'm pretty sure this is the first guitar my older brother had. My flashback is to trying to play along to the bar chord part of Suite Madame Blue, you know right after that meedly synth part that ends one part of the suite, through some cheesy little amp. A miracle, a miracle, a miracle.........Hooked. Red, white and blue, gaze in your looking glass.
Apparently, Ted was no Henry J....which is a good thing. It's not his fault that the current Gibson management decided to 'exhume' (for lack of a better word) this design from Gibson's files:
Huh?.. Yes it is~ it's somebodys fault... I say fire them all for this abomination!It's not his fault that the current Gibson management decided to 'exhume' (for lack of a better word) this design from Gibson's files
Paul Reed Smith said when he brought Ted McCarty in to consult on design, he started asking Ted about how they did this, why they did that, and so on, and he said Ted got irritated. He asked Ted if he'd offended him or if he was pushing for too much info, and Ted said, "No - it's just that you're the first person to ask me about this stuff. Everybody else asks if I have old Explorers or if I have an original Moderne. You're the first person to ask about how we did it."Apparently, Ted was no Henry J....which is a good thing. It's not his fault that the current Gibson management decided to 'exhume' (for lack of a better word) this design from Gibson's files:
https://guitar.com/guides/essential-guide/ted-mccarty/