What I called "acrylic" may be composite/phenolic, dunno. It does have slickery ease of movement...if anything it is just like ebony, just more so (harder, clearer chime-like tones, faster, etc).I love ebony and composite/phenolic is amazing for slickery ease of movement...
And I've never played on a cocobolo board, but i think if it felt like sandpaper, I'd still choose it for the look!! Actually, it's dense, hard and oily, innit? One of these days...
What you put on your fretboard is your business. /emoticons/default_biggrin.png I guess that is one way to keep people from borrowing your guitars. /emoticons/default_smile.pngMorning.
yeah, what he saidRosewood. Ebony 2nd. Can't stand maple fretboards.
I honestly can't tell if the neck material makes that much of a difference. My Daytonas are both ash and one has a maple fretboard and the other has rosewood. When they were stock, they pretty much sounded very similar. But then you run them through some distortion and who the hell knows what's going on. Well...maybe someone with good ears. So that's not me.I rethought my position, and I'm now completely convinced that I like whichever one looks best on a given guitar.
I could type some reasonable-sounding rationalizations if I chose to, but in all honesty (for me) it's just about the look.
You just described my approach to guitar perfectly! /emoticons/default_biggrin.png...then you run them through some distortion and who the hell knows what's going on...