NGD: When will the madness end?!?

atquinn

New member


This is a keeper! Listed as a Standard Pro, but I'd say it's more of a limited Standard run since the specs differ from the Standard Pro line in several ways (different body wood, different fret size, different neck specs, different pickups, rear-routed electronics cavity). Now, time to sell something! :lol:

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Austin

 


This is a keeper! Listed as a Standard Pro, but I'd say it's more of a limited Standard run since the specs differ from the Standard Pro line in several ways (different body wood, different fret size, different neck specs, different pickups, rear-routed electronics cavity). Now, time to sell something! :lol:

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Austin
You seem to always find the nicest looking guitars and tops

 
sweet! That is one nice looking guitar, and I'm sure it plays great too!

What kind/brand of tremolo does Suhr use on their guitars? Website says the Gotoh 510. Looks like nice bridge. Do they come setup decked or floating?

 
sweet! That is one nice looking guitar, and I'm sure it plays great too!

What kind/brand of tremolo does Suhr use on their guitars? Website says the Gotoh 510. Looks like nice bridge. Do they come setup decked or floating?
Gotoh 510 with the steel block (zinc on the Modern satin line). And always floating, except on the Andy Wood spec Modern. Occasionally back-routed for pull up as on my Modern which is my absolute favorite configuration.

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Austin

 
Do you think it has material impact on the tone / responsiveness of your guitar?
If it does, then it's nothing I care about! :lol:  I don't like how maple feels under my finger tips (or wears) and I love how ebony feels (and looks). Rosewood is fine, but pau ferro feels a little better, probably because it has smaller pores like ebony? So if all that goes under responsiveness, then I guess it has an impact. But when it comes to fretboard material affect on tone, I've never seen anything that convinces me there is a predictable effect relating to fingerboard material. 

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Austin

 
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