Here is the Soloist Archtop I mentioned earlier. I was an amazing guitar in every respect. Fit and finish were impeccable and it was an amazingly versatile instrument.
That black one looks like it is suspended in the air.. if that ain't mojo.. hehehe.. nice collection! Had a Dinky (XL I think it was) before I understood Floyds, so I got rid of it because I couldn't get it in tune. Should not have done that.. great guitars!I have some experience with Jacksons.
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Last one is a Custom Shop Reverse Body Style Demon - absolutely one of the most killer guitars I have ever seen.
Been Jonesin' for a Surfcaster ever since I first saw them!Got me one of these with a TV Jones TV Tron in the bridge - Love it!
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Save for my acoustic and an old Peavey bass, every one of my axes has a Floyd or Floyd derivative (Edge, Schaller) Contrary to Shredmeister, I DO use the bar- alot- either for subtle coloring of the pitch or for flat out, extreme dive bombs, wide vibrato, wicked pull ups, trills, and a whole host of wacky and weird effects. I'm not Vai, Stevens or Van Halen but the bar is integral to my style and Jacksons, with the right locking trem, stands pretty much neck and neck with my beloved Hamer Diablo for that style of playing.It's funny: I have read from many top builders that contrary to what many people believe a good Floyd Rose set up correctly stays in tune better than a stop tail piece or other non-floating bridges.
Personally with amount of wide vibrato I do I tend to agree.
Just about every electric I have has a Floyd - I love 'em and I don't use the whammy bar hardly ever. I just love the bridges.
If that body was routed and the Floyd set to float, I'd take it in a heartbeat- tree-fiddy? /emoticons/default_ph34r.pngHere's mine. I really got it for its graphic, but I can't play guitars with trems worth a damn. If anyone wants to take it off my hands, make an offer.
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