Different strokes for different folks
I used to like having the four controls, but now I'm happy with just one tone & volume like on the Newport. I've found that though I like the idea of extra options for tweaking, in the end I just need basic controls. Playing synths really enforced this point after owning option-monsters like the Korg Oasys; I knew how to program the thing based on years of experience in synthesis, but I wasted more time tweaking than playing.
With my Monaco Elite pickups I've had mixed opinions. I changed them to Seth Lovers which I loved, then I went back to stock, which again I really liked but then at times I didn't, so I went back to the Seth Lovers. In a thread on the Seymour Duncan webpage Jol said that the neck pickup needs to be lowered for optimum sound so maybe I'll try that sometime in the future.
I'm really curious to see what the Tally Pro pickups sound like. From my vague recollection, one review said they were not good for jazz but rather rock oriented, but another review said they had a warm jazz sound. My personal preference is for something warm, not overly bright, and not high-output. I play mostly clean and the rest of the time a heavy distortion/fuzz with the tone rolled back to get a violin-like sound.
Mark