Lately I've been getting a jones for an acoustic-electric bass; I'd like something that sounds woody and organic, reminiscent of an upright. In a previous thread a few people chimed in that the MIK-made solid top Breedloves were very good, and had more volume as a pure acoustic than most.
In my quest I've played a Michael Kelly Dragonfly, a 1993 Guild (small-bodied), a couple of Ibanezes, a Breedlove Studio (solid spruce top; laminated mahogany body), and a 1993 or so MIK Fender, also with solid spruce top and laminated mahogany body. The Breedlove uses a current L.R. Baggs system; the Fender uses an early '90s Fishman.
For tone quality and playability it's coming down to the Breedlove and the Fender. The Breedlove is about twice the price of the Fender. When I first played the Breedlove I was impressed, especially with its amplified sound at the bottom end--very deep and full. But on my second time around, it's the Fender that's haunting me, and the Breedlove that disappointed today. The Breedlove seemed to have a lot of piezo glare if I only slightly mis-fretted. Would a setup or different EQ fix that? It has shiny new strings, but it didn't seem all that loud acoustically. The Fender isn't very loud either, but the strings are old and brown. I suspect its volume would increase by 40% with new strings. But the other thing is there's a certain rightness, a certain comforting musicality to the Fender and I don't have to work hard to get it.
Does anyone know anything about the early '90s Fender AEBGs? If this one is representative, I'd say they're sleepers.
Also, the store with the Fender also has an Eden Nemesis (mf'd offshore) RS210 on closeout.
The store's blowout price is significantly lower than this MF listing. Do you think a Mesa/Boogie DC-10 would be a reasonable (and feasible) trade?
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JohnnyB
Lately I've been getting a jones for an acoustic-electric bass; I'd like something that sounds woody and organic, reminiscent of an upright. In a previous thread a few people chimed in that the MIK-made solid top Breedloves were very good, and had more volume as a pure acoustic than most.
In my quest I've played a Michael Kelly Dragonfly, a 1993 Guild (small-bodied), a couple of Ibanezes, a Breedlove Studio (solid spruce top; laminated mahogany body), and a 1993 or so MIK Fender, also with solid spruce top and laminated mahogany body. The Breedlove uses a current L.R. Baggs system; the Fender uses an early '90s Fishman.
For tone quality and playability it's coming down to the Breedlove and the Fender. The Breedlove is about twice the price of the Fender. When I first played the Breedlove I was impressed, especially with its amplified sound at the bottom end--very deep and full. But on my second time around, it's the Fender that's haunting me, and the Breedlove that disappointed today. The Breedlove seemed to have a lot of piezo glare if I only slightly mis-fretted. Would a setup or different EQ fix that? It has shiny new strings, but it didn't seem all that loud acoustically. The Fender isn't very loud either, but the strings are old and brown. I suspect its volume would increase by 40% with new strings. But the other thing is there's a certain rightness, a certain comforting musicality to the Fender and I don't have to work hard to get it.
Does anyone know anything about the early '90s Fender AEBGs? If this one is representative, I'd say they're sleepers.
Also, the store with the Fender also has an Eden Nemesis (mf'd offshore) RS210 on closeout.
The store's blowout price is significantly lower than this MF listing. Do you think a Mesa/Boogie DC-10 would be a reasonable (and feasible) trade?
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