higher tension strings = "shorter" string from an intonation standpoint compared to a lighter tension string, correct? Or am I backwards?
I have a classical that has intonation issues on the B string. Before I take it somewhere to see about a new saddle I'm wondering if different tension strings would be worth a shot. In this case when the open string is in tune, the fretted notes are sharp, which on an electric would necessitate lengthening the string, but thats not so easy to do on an acoustic. So I'm thinking lower tension strings on the classical might help, but I might be confusing myself.
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SteveB
higher tension strings = "shorter" string from an intonation standpoint compared to a lighter tension string, correct? Or am I backwards?
I have a classical that has intonation issues on the B string. Before I take it somewhere to see about a new saddle I'm wondering if different tension strings would be worth a shot. In this case when the open string is in tune, the fretted notes are sharp, which on an electric would necessitate lengthening the string, but thats not so easy to do on an acoustic. So I'm thinking lower tension strings on the classical might help, but I might be confusing myself.
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