I'm on a quest for some real P90 growl, with as much diversity as possible. As many have stated, and is now my expereince, the stock SD's are definitly on the dark and kinda mellow side. Going into an HT-5R at the store recently, I picked up a gibson and an epi LP with P90's in them to A/B against mine, and they have WAY more snarl and bite to them..higher gain on either guitar was raw and chainsaw like, I just couldn't realy get that snarling tone out of the Hamer. Nothing wrong with the pups physically, I just had the guitar setup and looked over. Maybe its the ceramic SD's vs alnico magnets of the gibsons, I'm not sure I know exactly.
The big question here is, there are a couple great makers out there that people swear by, but not alot of information as to the attributes of each that set them apart. Lollar/Fralin/Wolfetone, older gibson examples, people seem to love this stuff. I'm looking for as much musical flexability as possible, and to realy capture that snarl and bite that P90's are classicaly known for. Any specific thoughts or recomendations? Would an overwound bridge help me get more bark and snarl, and if so, would it hurt me in other ways.
Over wound brindge, under wound neck, or stock winding..what would you choose, and who would you go with
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jasonic
Hey guys,
I'm on a quest for some real P90 growl, with as much diversity as possible. As many have stated, and is now my expereince, the stock SD's are definitly on the dark and kinda mellow side. Going into an HT-5R at the store recently, I picked up a gibson and an epi LP with P90's in them to A/B against mine, and they have WAY more snarl and bite to them..higher gain on either guitar was raw and chainsaw like, I just couldn't realy get that snarling tone out of the Hamer. Nothing wrong with the pups physically, I just had the guitar setup and looked over. Maybe its the ceramic SD's vs alnico magnets of the gibsons, I'm not sure I know exactly.
The big question here is, there are a couple great makers out there that people swear by, but not alot of information as to the attributes of each that set them apart. Lollar/Fralin/Wolfetone, older gibson examples, people seem to love this stuff. I'm looking for as much musical flexability as possible, and to realy capture that snarl and bite that P90's are classicaly known for. Any specific thoughts or recomendations? Would an overwound bridge help me get more bark and snarl, and if so, would it hurt me in other ways.
Over wound brindge, under wound neck, or stock winding..what would you choose, and who would you go with
thanks!
-j
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