Having loaded some Fralin P90's into my Monaco III I'm loving the tone, but have developed a pathological fear of fluorescent, light fittings, especially the multi coloured, flashing, beer commercial type. I find myself locked into the one position on stage that yields the minimum 60 hz buzzzz.
I'm assuming given the superlative, construction, quality of his guitars Joel has done a thorough, shielding job on the electronics; does anyone have any tips for reducing the hum ?
If all else fails I was considering replacing the middle pick up with a hum cancelling p90, either a Fralin or a Kinman ( I heard the Kinmans were fairly low output ) which would in theory give me positions 2, 3, and 4,
pretty much noise free. Could a hum cancelling pickup be RWRP ?
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jaberwock
Having loaded some Fralin P90's into my Monaco III I'm loving the tone, but have developed a pathological fear of fluorescent, light fittings, especially the multi coloured, flashing, beer commercial type. I find myself locked into the one position on stage that yields the minimum 60 hz buzzzz.
I'm assuming given the superlative, construction, quality of his guitars Joel has done a thorough, shielding job on the electronics; does anyone have any tips for reducing the hum ?
If all else fails I was considering replacing the middle pick up with a hum cancelling p90, either a Fralin or a Kinman ( I heard the Kinmans were fairly low output ) which would in theory give me positions 2, 3, and 4,
pretty much noise free. Could a hum cancelling pickup be RWRP ?
Regards Jaberwock
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