I won’t go into the long story about how this guitar, custom made for me, came about, but I always wanted a Junior made to my specs (TLE neck carve, sustain block bridge, Bill Lawrence pickup). Well, here it is. I’ve had it for a few years. The luthier(??!) who made it did several thing things wrong with it, but for the most part I’ve been able to get it to work well, and it does play very nicely. It’s pretty much exactly what I wanted if I overlook some of the silly flaws. What I truly can’t stand though, is that the builder managed to find the heaviest piece of mahogany on the face of the planet. Either that or he filled it with lead. It weighs in just at 10 pounds, which probably isn’t the heaviest guitar ever made, but the problem is that it is extremely unbalanced. It’s very annoying to play sitting down, the neck is just dying to pop up and hit me in the face. If I let go of the neck it would literally do just that, and probably with some force at that. It is perfectly balanced standing up, but it’s heavy and I pretty much never play standing up anymore and I don’t gig.
Anyone know of a luthier that could chamber this thing without ruining the finish, if that’s even possible?
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jginsj
I won’t go into the long story about how this guitar, custom made for me, came about, but I always wanted a Junior made to my specs (TLE neck carve, sustain block bridge, Bill Lawrence pickup). Well, here it is. I’ve had it for a few years. The luthier(??!) who made it did several thing things wrong with it, but for the most part I’ve been able to get it to work well, and it does play very nicely. It’s pretty much exactly what I wanted if I overlook some of the silly flaws. What I truly can’t stand though, is that the builder managed to find the heaviest piece of mahogany on the face of the planet. Either that or he filled it with lead. It weighs in just at 10 pounds, which probably isn’t the heaviest guitar ever made, but the problem is that it is extremely unbalanced. It’s very annoying to play sitting down, the neck is just dying to pop up and hit me in the face. If I let go of the neck it would literally do just that, and probably with some force at that. It is perfectly balanced standing up, but it’s heavy and I pretty much never play standing up anymore and I don’t gig.
Anyone know of a luthier that could chamber this thing without ruining the finish, if that’s even possible?
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