BubbaVO Posted June 15, 2010 Posted June 15, 2010 I've been working on a song that has been nagging me for a while. So I was spending some time trying to record the guitar part in my bedroom. I was trying to play it clean - both the amp and the playing. Take after take - fail. I finally got a take that I felt was getting to where I wanted it to be when the wife walks in, goes into her closet, comes out with a plastic grocery bag and proceeds to crumple it a bunch of times as she walks out. I play the track back and lo and behold the Yeti mic picked up the crumple really well from about 12 feet away. DOH!!! I need a man cave.
Turdus Posted June 15, 2010 Posted June 15, 2010 Is her sense of rhythm any good?If she crumbled the bag, in time with the rest of the track, I'd say keep it.
mathman Posted June 15, 2010 Posted June 15, 2010 Is her sense of rhythm any good? If she crumbled the bag, in time with the rest of the track, I'd say keep it. I often have the dog bark in the middle of a track. Sometimes I leave it cause it distracts from my singing.
hamerhead Posted June 15, 2010 Posted June 15, 2010 Is her sense of rhythm any good? If she crumbled the bag, in time with the rest of the track, I'd say keep it. I often have the dog bark in the middle of a track. Sometimes I leave it cause it distracts from my singing.
Feynman Posted June 15, 2010 Posted June 15, 2010 I hear you! It generally takes me at least 100 attempts to get a recording I like (I'm not that good, so I can't play anything the same way twice). Almost without fail, a few minutes into a good one:1) The house A/C kicks in 2) One of my many children has something important to share ("My friend saw a bird!")3) The dog bumps the door4) My wife informs me that the trash really needs to go out at that very moment5) The phone rings6) I realize the recorder has been on pause the whole time7) Etc
SteveB Posted June 15, 2010 Posted June 15, 2010 I hear you! It generally takes me at least 100 attempts to get a recording I like (I'm not that good, so I can't play anything the same way twice). Almost without fail, a few minutes into a good one: 1) The house A/C kicks in 2) One of my many children has something important to share ("My friend saw a bird!") 3) The dog bumps the door 4) My wife informs me that the trash really needs to go out at that very moment 5) The phone rings 6) I realize the recorder has been on pause the whole time 7) Etc
Feynman Posted June 15, 2010 Posted June 15, 2010 Agreed! I get pretty good recordings just from my tonelab into my PC's line-in. All my mishaps are recording the classical.
Lockbody Posted June 15, 2010 Posted June 15, 2010 I hear you! It generally takes me at least 100 attempts to get a recording I like (I'm not that good, so I can't play anything the same way twice). Almost without fail, a few minutes into a good one:1) The house A/C kicks in 2) One of my many children has something important to share ("My friend saw a bird!")3) The dog bumps the door4) My wife informs me that the trash really needs to go out at that very moment5) The phone rings6) I realize the recorder has been on pause the whole time7) Etc#6 is my hated enemy.
diablo175 Posted June 15, 2010 Posted June 15, 2010 I feel your pain on both levels- I tend to need 25- 100 takes to get a part down in a respectable condition. To avoid unwanted interruptions or audio additions, I first initiated intensive training for the wife to instill the following: 1) NO entering the recording area unless house is burning or we hit the powerball jackpot and 2) NO making any noise if no. 1 applies. Secondly, I relocated my studio to the basement which we refinished to block off a 8' x16' room for the studio and added lots of sound proofing and a door with a lock on it. Now if I could just get around to actually recording again...
mathman Posted June 15, 2010 Posted June 15, 2010 Or someone walks in a says "are you recording?" This is why I love garageband. I can record a track and easily cut, copy and paste parts around to fix mistakes. I can loop sections that sound good. And can record multiple takes and switch between them if needed.
gtone Posted June 15, 2010 Posted June 15, 2010 I say leave it in. On a track I recorded about 15 years ago, you can clearly hear my wife shouting down the stairs "Ste-eve - TELEPHONE!". I left it in in the final mix and played it in the car for years, much to her chagrin. PRICELESS, I tell ya'!
Dasein Posted June 15, 2010 Posted June 15, 2010 I finally got a take that I felt was getting to where I wanted it to be when the wife walks in, goes into her closet, comes out with a plastic grocery bag and proceeds to crumple it a bunch of times as she walks out. I play the track back and lo and behold the Yeti mic picked up the crumple really well from about 12 feet away. DOH!!! I need a man cave. Your wife is allowed to walk free in the house? I guess all those Women's Studies classes were wrong about the patriarchy. Finally we have proof! They are not oppressed.
veatch Posted June 16, 2010 Posted June 16, 2010 Or someone walks in a says "are you recording?" Even better - recording someone else at the end of a good take while the guitar/bass/cymbal hits/whatever are still fading: "How was that?"
GusS Posted June 16, 2010 Posted June 16, 2010 I've been working on a song that has been nagging me for a while. So I was spending some time trying to record the guitar part in my bedroom. I was trying to play it clean - both the amp and the playing. Take after take - fail. I finally got a take that I felt was getting to where I wanted it to be when the wife walks in, goes into her closet, comes out with a plastic grocery bag and proceeds to crumple it a bunch of times as she walks out. I play the track back and lo and behold the Yeti mic picked up the crumple really well from about 12 feet away. DOH!!! I need a man cave. why is this such a bad thing? if the take is good, i'd keep it, such "mishaps" add charm to recordings, IMO.
Nathan of Brainfertilizer Fame Posted June 16, 2010 Posted June 16, 2010 I've been working on a song that has been nagging me for a while. So I was spending some time trying to record the guitar part in my bedroom. I was trying to play it clean - both the amp and the playing. Take after take - fail. I finally got a take that I felt was getting to where I wanted it to be when the wife walks in, goes into her closet, comes out with a plastic grocery bag and proceeds to crumple it a bunch of times as she walks out. I play the track back and lo and behold the Yeti mic picked up the crumple really well from about 12 feet away. DOH!!! I need a man cave. why is this such a bad thing? if the take is good, i'd keep it, such "mishaps" add charm to recordings, IMO. I gotta second that. Like in Dokken's "It's Not Love," and Don Dokken's girlfriend calls in the middle of the break and they talk awhile until he tells her "No way!" I think that really added to the song!
veatch Posted June 16, 2010 Posted June 16, 2010 Somewhere around 1980 i was doing some recording, and in the middle of a solo, a trucker's CB bled into the track - never happened before, never again, but it was loud, and clear, and obviously unexpected. I stopped playing dead in my tracks, and started laughing. The take up to that point was pretty good, if i recall.I REALLY wish i kept a copy of that...
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