RobB

Word. The early Muscle Shoals tracks (with Bob Burns/Rickey Medlocke drumming) have great guitar tones. I think they went back and redid/cleaned up some things for actual release, but the original recordings on, "First (and Last)", are prolly my faves. "...Bullets" and, "Street Survivors", are killer, too. I dig LS, but like a lot of classic rock, a little goes a long way these days: Dude: "Ay, man. Who DOESN'T love me some, 'Freebird?' Bro: "Ah, I reckon. Sounds great the first 50,000 times, at least."

W-effin'-OOF! I tried so hard to love my Axis. It was perfect in every way, but that small neck profile just wasn't happening. One of these days I would like to find a nice Albert Lee hardtail. There was a trem version at Real Guitars last year that checked all the boxes, except...

Nah. More like Tito. I allow some freedoms (mostly in the arts), but the iron fist will be implemented when necessary.

No pass here. I’ve cut audio feeds of CEOs who tried that bullshit. Lavalier mics are designed to be clipped on to clothing, 4-6”, from the neck. Sign of an amateur.

This, dear viewers, is how one shreds with a Univibe.

Yep, “Call Me the Breeze.” Ick.

Skynyrd's crew hated that Peavey gear. The tube amps constantly blew up, totally unroadworthy. The bass gear was solid, it's said.

Dude, I cannot wait to see this V!