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And you've "never been this cheap before!" 😆

I think some people call this a Dirty Boost. It's got some gain, push, compression, and EQ changes. I'm tempted even though anyone looking through can see I'm selling thousands of dollars worth of pedals right now. Usually a sale like this means they're going to discontinue this model or maybe go to a new version. I've had a few J Rockett pedals. I think this is one of their old school builds that has the super heavy enclosure. Way overbuilt.

Sure. Keep in mind that pedal is more or less a blackface and tweed circuit for the 2 settings. It probably works better if you have an FX loop, which I am assuming your DR does not have. But if you set the DR to a clean (pedal platform) setting, you can effectively have 3 presets. The second channel can get you more into the D or M range, if that is what you are looking for. Very versatile.

And he says he will next start working on a huge sounding tape delay.....

The old argument: the sound of an actual rotating speaker/baffle moving air can't be done with a pedal. Yeah, you can get in the ballpark (Strymon Lex is the best I've heard in a live full band setting and made me rethink my AR112), and yeah you don't have to grunt another heavy cabinet, but that 3D sound won't come from a pedal. Leslies are magic.

So great. Love everything about this.

One of my all-time favorites!

Gibson Les Paul Standard HC 1996

it's like you're calling my name, or something...

I'm selling mine but not at that price

have the European original release on vinyl. Without Sykes. Perhaps it's hard to find thar LP in the US. But the 25th anniversary release has both the US and UK mixes of the album. It's on Tidal https://tidal.com/album/2890847/u And on Spotify "The 25th Anniversary Expanded Edition of Slide It In (released in 2009) includes both the US mix and the UK mix. Track Breakdown: US Mix (Tracks 1–10): Remixed by Keith Olsen. Features guitar work by John Sykes, bass by Neil Murray, and a polished, aggressive "American" hard rock sound. UK Mix (Tracks 12–19, bonus tracks): Original mix by Martin Birch. Features guitars by Micky Moody and Mel Galley, bass by Colin Hodgkinson, and the band's traditional bluesy British tone. This edition also includes the single B-side "Need Your Love So Bad" and a bonus DVD with music videos and live performances. "

This? I like it.

Ill post a pic when it shows up 😀

Andy Fuchs is almost ready to debut his rotary speaker.

Congration?

Shocking. I am shocked. Look at me: this is my shocked face…

Can I use my Tone King Imperial Tri-Tube in front of my Deluxe Reverb instead?

I am another user of the Motion Sound version. Has a built in amp. Back aways, I used it with a 1 x 12 Mesa combo amp and an ABY switcher. I did like the combo. Still does work, but I am not dragging it out for any place I am plugging in these days.....Yep, got a small box on the pedalboard.......

Effectrode (UK) has taken exception to Keeley's use of the name of their tube pedal. Nothing illegal I suppose. I am a big fan of the Effectrode pedals that (IMO) have been at the forefront of tube driven pedals (effects, as well as drive) quality wise. A bit more expensive than this one, but lots off great tone with the built in THREE preamp tubes. Worth checking out. Though my favorite is their Blackbird......

SOLD!

Meh. Dual horns are essential for that, "watery", Leslie sound, but it's just more gear to hump. Why bother when there are so many great Leslie pedals out there?

Saw that. Incredible build. It's beautiful and sounds great. He really went all in. But... It's just too nice to gig with (which, I suppose, is what he was going for). A simple cab with adjustable fast/slow/ramp would be ideal. I use a Motion Sound AR112 and it's almost there. It's just a spinning baffle in front of a 12", with no horn. Very subtle (slow spin) but you notice when it's off. Great 3D effect. But having both low and high ends spinning independently like his would be better.