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I've been on the lookout for a black Newport of any variety for many years. In Kaki's listing of her natural Newport Pro (https://www.hamerfanclub.com/forums/topic/104071-psa-hamer-newport-pro-and-check-out-the-seller/), she mentioned that her black one got more use. I couldn't help myself and PMed her saying that if she ever thought about selling that one to please let me know. One thing led to another, and: I love how it's clearly gotten a ton of playing time but still looks beautiful. You can probably see in the 1st pic how Kaki's fierce nails impacted the top. Interestingly it's the lightest of my three and has the most top and bottom end. My Pro Custom has a very mid-focused sound, and the N90 is somewhere in between. What can I say, I'm a lucky guy!

It's coming my way! Should get it by early next week (shipping across the country). I've always wanted to try an Eclipse but never stumbled across one close to me. I like the upgrades on this one, and he is also including the original bridge & pickups. Been Hamer-less for about a year or so, and I'm ready to get back in the saddle!

I can see the appeal to having a guitar store take the shipping risks but here is my thought process. First a HFC member has a chance to purchase the guitar. Those LP type cases are easier to ship. FedEx Offers Pack and Ship for guitars of that size. They provide a box and can professional pack the guitar for around $50. Add the insurance from Fedex of the sale and it brings you to around $125-$175 for shipping, maybe $40 more. Open a free Fedex account and it is less. You can pass the shipping onto the buyer and if FedEx packed it and there is a shipping issue, which I've never had using this method, insurance claim should be easier to collect as they packed it. There maybe options from repair to total reimbursement. I don't feel the same about UPS. I would only ship FedEx. Many of the guitars I've purchased I've supplied the shipping label and asked the seller to use the FedEx Pack and Ship method and either offered my account number or provided funds after it is packed. The rectangle cases can be a different animal. If it's not a fitted case extra packing material is required to keep the points protected and guitar in place. Trogly offers a "How To" video. https://youtu.be/FQzkfeOVHlA Again I'm just trying to help fellow HFCers keep more money for their treasures and a chance for other HFCers to purchase here instead of scanning all the music stores and missing a chance at a stunning guitar. I'm not berating anyone's choice of how they sell their guitar. I loved both the Quilt Tops. If a HFCer purchased a quilt top and want sell in the future, please reach out. I apologize for any misspelled words, any poor use of the English language. I'm typing on my phone at 4:00 am and cannot copy and paste into Word to help me. Provenance vs Providence lesson learned. HR

I saw him at the PNC bank arts center with John Mellencamp. IMHO Fogerty stole the show. He was out there with his gear, pretty much swapped guitars every song, and sounded amazing. Also I'm pretty sure he whipped out an EBMM Axis or EVH and started finger tapping at one point. Monster player. Mellencamp was ok, but it was a stage, people dancing, and just.. meh.

1995 Eclipse 12 String... this is the GC eclipse from a month or so ago... plays nice, sounds nice, pretty clean for it's age, frets are in decent shape, not much in the way of physical wear, a few light nicks, but no large dings or chips. Some tarnish on the pickup covers, very light hameritis around the joint. I got it from GC and was a little surprised at the condition, I cleaned up the fretboard, polished the frets restrung and it's really solid. The case looks like a TKL case however it has purple velour and no Hamer logo, it does however fit the guitar perfectly. perfectly cool axe but I like my new FM and bought alot of stuff lately... catch and release on this one. Lastly, the guitar looks cherry in the photos but it almost looks vintage orange imho. SOLD

Seriously, every time I ship a guitar I sell I pretty much need to have a few drinks.

These were made in Leakesville, where they did the Wolfgangs. Scored the HB version last year from DGS. These are a steal for the quality level.

I have seen John live a few times over the last 20 years. I have been regularly shocked that a guy his age is that nimble and has the strong voice and stamina he does. Whether you're a fan or not, the guy is an American icon, and still brings the talent!

Okay, I can't stand it anymore. PM sent for purchase.

Hamer 30th Anniversary (2004) #22 of 30 This guitar is a truly special one. Only 30 of these guitars ever made. AAAA ultimate book-matched flamed maple top. One-piece hand carved Honduras mahogany body. Nickel Seymour Duncan Antiquity pickups. Multi-striped ivoroid binding to entire guitar. Brazilian Rosewood fingerboard. MOP (Mother Of Pearl) victory inlays. Kluson tuning machine-heads. Spectular natural burst finish. Hamer GC-30 Limited Edition Brown Leather Hard Shell Case Weight: 7lb 6oz 1st Fret: 0.89" 12th Fret: 0.95" Scale Length: 24.75" Condition Notes: Replacement lampshade knobs (original bell knobs included), Pickups, bridge, tailpiece show small finish pitting. Very Minor playwear. SOLD MORE PICS https://imgur.com/a/pbXYHlW#D8sOt8l

Not mine, no affiliation, but it does look nice and original including the warranty card, maybe except for the case (black interior)? Also not entirely sure about the back of the neck/ headstock area but maybe the reflections in the photo are misleading and what do I know anyway... https://reverb.com/item/90214215-hamer-sunburst-1978-cherry-sunburst-video

Great looking Sunburst. Nice soundclip. It sounded great. LP killer for sure.

Looks like it might have an ebony board? It's pretty classy looking, in a different way than the black one.

NOT the original case. That's from the 1990s.

Found a picture of the blonde with the single inlay and also finally found video of the red one, cherry with that weird tailpiece Hamer used. I guess she had four for different tunings.

As featured in a music video!

Peavey USA made excellent gear. A lot of guitar for $750. Criminally underrated. 😞

Her VO2 Max must be off the chart! She goes from dancing to trombone to not-out-of-breath singing. Very impressed. Band's hoppin' too!

Very nice!

I thought that the 345 used in that movie was on loan from Norm's?

I wonder if they have the guitar, and this is all hype-building.

Sweet! What a great score for your collection.

Excellent score. Very nice trio you have!👍

Nice summary! My '89 chaparral custom isn't flame top but solid 2 piece flame maple body with set neck. I thought it came with SD pus; JB and 2 SSLs which I switched to a tone zone and 2 old Dim. Slammer single coils (my fav single coils!). I'm about to swap out the tz for an old Slammer HB. Anyway, I like the shorter scale ones a lot. I think their proportions might look the best overall to me, but I tend to like the longer scale for a shredder guitar.

no affiliation, but I have one a lot like it, and it's outstanding. I want this one too, but I've been finding too many good deals locally. You can pay more if you buy through Rvrb, Nice flame top, supposedly in excellent condtion, $750, I have no idea how much shipping would be https://guitarpickersaz.com/product/peavey-usa-ltd-st/

I sold my USA Ltd to @atquinn here years ago. I’d like to have it back or one like it.

Chaparral By ’85 the Strat-style guitar had begun to dominate. Hamer’s crosstown competitor, Dean, had begun to switch from its own upscale Gibson variations to the “superstrat” form, and Kramer was phasing out its ’70s aluminum necks and was well on its way to dominating the American guitar market with its Strat-shaped models. Hamer entered the Strat-style sweeps in ’85 with the introduction of the Chaparral and Chaparral Custom. The Chaparrals had contoured offset double-cutaway mahogany bodies, very Strat-like, but with a slightly larger upper horn. Rock maple necks were glued in and featured Hamer’s droopy six-in-line headstock. Fingerboard scale was 24 3/4″. Both featured the soon-to-be-ubiquitous humbucker/single/single pickup layout, with one volume and one midrange tone contour control. Pickup selection was controlled via three three-way mini-toggles which served as a coil tap on the ‘bucker and reversed phase on the single-coils. The jack was top-mounted, as on a Strat. The Chaparral Custom featured an ebony fingerboard with pearl boomerang inlays. A double-locking Floyd Rose was standard, but a Kahler was an option. The bridge humbucker was a Slammer, but the two single-coils were twin-blades made in West Germany by OBL. The Custom could also be had with an optional flamed maple top. By January ’87 Hamer was also offering a Chaparral Custom Carved-Top. Only a few were made to showcase Hamer’s “custom shop” capabilities. Basically, the Chaparral Custom Carved-Top was a Custom with the top carved into an extra arch. The tops were either quilted or tiger maple. Cost was $1,699.90; the Carved-Top was $2,299.90. The plain Chapparal sported a rosewood board, pearl dot inlays, and a Kahler Traditional vibrato system (Strat-style but with a locking nut). Pickups were Slammers. A few were ordered with three single-coils but they were not production models and are very rare. These first Chaparrals lasted until ’87. In ’87 Hamer revamped the Chaparral, splitting the model into the Chaparral Bolt-On and Chaparral Custom. Both now sported longer 25 1/2″ scales, five-way switches, and side-mounted jacks. Locking Floyd Rose systems were standard, though Kahlers could still be custom-ordered. These were now recessed, by the way, for greater upswing. The Chaparral Bolt-On featured a bolt-on neck and continued to have a rosewood fingerboard and dots. Pickups were still Slammers. The Chaparral Custom remained otherwise essentially the same as before, including a flametop option. The bridge pickup had become OBL by this time.

That’s a nice one, Ben. All that wear makes it look like a real vintage guitar. Congrats!

Sorry to hear about the condition issues. Now you’re clear to buy my 90s Centaura! PM me if interested.

Noice!

It's always easier to let someone else do the packing, shipping and worrying.

They’re at least as good as Kilroy. Probably.

Duuuuuuude that is Awesome! Super cool guitar and killer lineage 🤘❤️😎

Agreed, great way to sell a guitar 👍

sold. I'm going to miss this one. 🫤

It all makes sense, logically. Sometimes the real world differs. I have sold and shipped dozens of guitars, more through this site than otherwise. I do apparently know how to pack and ship things properly. Very few problems over the years. But..... One issue I had with damage at UPS WAS covered by the shop. Seemingly because I went directly to the owner of the local store front (after paying their inflated over the counter cost) and she intervened. It was a really minor thing but the buyer insisted on sending it back. (BTW, I sold it later here WITH FULL DISCLOSURE at a comparable price). Very nice Super Pro!) Two other cases involved FedEx and paid through my account there. And, of course, they require you to buy insurance.....One was an HFC buyer and there was actual damage enroute. The other was to another buyer (Not HFC!) who was way less than honest about what happened. In each case, there was documentation (including from the original builder of the guitars) and repeated assurances of how much they valued my business. They strung me along for as much as 3 months before finally denying any responsibility. I dunno, maybe you need to prove it was THEIR truck's tire prints on the box or something. I ultimately was made whole by my separate insurance, but only after many wasted hours and final thumbs down from FedEx. Many of those hours waiting for "customer service" to pick up the phone and reassure me that they loved me). To cap it off, when I inquired at their storefront as to whether it would make a difference if I paid THEM to pack it with all their own new packaging. In essence, I was told their MO would still be to deny the claim....."And we have lawyers on call to beat you up if you appeal". IN so many words, of course...... I reckon I have several guitars, not all Hamers, that would get some strong interest here should I post them. There IS a reason why I don't. Some are posted locally. At least a couple of repeat buyers are willing to periodically drive hundreds of miles (each way) because "I know what you got!". But they do not get sold as fast..... Very hard for me to fault Conor on this one! I just may chat with this shop myself.

So last thursday... I posted the GC PSA about their sale... (10% off, plsu 10% GC bucks if you use the credit card, sale ends tonight BTW) friday afternoon, no one jumped on the FM Special and I said, f it, I'll grab that thing as I have a thing for Aztec Gold FM's pretty solid... some fretwear, but very playable. light dings but finish fully intact, no hameritis along the fretboard and I suspect it's a late '93 as the profile is closer to the slightly fuller 94/95's Top nicer than the terrible GC pics and I love that the finish has darkened to a vintage amber. I got a nice surprise when I opened it up... nicely packed with OHSC. so nice I almost wanted to keep the box and the fixins but I left it. good deal.

I want the single inlay one.

Ouch, that sucks. Definitely fixable, but it won't be free or invisible.

I agreed that this is the first go-to for me if I were to sell a Hamer, especially nice ones that are harder to come by, like these two studios. However, I can also see the advantage of what seems to be consignment and selling through a shop, which avoids any hassle with shipping and other issues. Folks on here had a shot with this PSA post, and they were up for longer than I thought they would be.

Slight tangent but not intended to be a hijack: I've been listening to Pink Floyd's Live at Pompeii , recorded in 1972, and some of it has been remixed radically, compared to the mix that was heard in the thetrical release and the videotape (Beta hi-fi sounded better than VHS hi-fi back then). A standout example is Roger Waters' huge gut-bucket bass tone on the instrumental jam in the first part if "Echoes"---think Adam Clayton's bass tone on "Two Hearts" on steroids. It's not nearly as in-your-face on the new release. Thee's also the drums on "A Saucerul of Secrets"---it seems the new mix is trying to make the percussion sound 'denser', for lack of a bettre term. The new mixes are okay but I was used to the original and find myself wishing they'd also released the original mix from over half a century ago. Might've been a cool marketing ploy to offer both in one package. But I'm glad I also have my dub of the movie soundtrack (from VHS to cassette., then cassette to CD-R). It still sounds presentable even with that nabt generations of transferred music. The point of posting this on the Fogerty thread us that any artist that has legal access to his/her matierial can do whatever they want with it. Sometimes it works, sometimes it doesn't.

Absolutely killer rendition of "Blue Collar Man!" Thoroughly enjoyed that! Great ad for the amp.

Surprised you haven't heard of her. She was all over the guitar press in the '00s and was known for her percussive approach to acoustic: She's changed direction a few times over the years, adding electric guitar and multimedia to her shows.

Well, I'm shit outta luck then. The only tribute I can offer is to medicore playing.

For better or for worse, tribute bands have taken over a big chunk of the live music bookings these days. It's a great gig if you enjoy that specific original artist. I've been lucky to fall in with Pink Floyd and Radiohead tributes that draw pretty well, and I still get a kick out of playing that music.

I had a checkboard pickguard on a black Phantom (90's version) - i sold the guitar to someone up here (I think) with a white pearloid guard and I'm pretty sure I threw in he checkerboard guard in the deal. white pearloid on purple works for me.