I've never been able to find a PRS that just felt right. They're beautiful, well balanced and very well made. But with those first couple of strums of the strings I never felt that "vibe". Some people fit a PRS very well, I'm not one of them...yet. So I don't begrudge anyone not bonding with a guitar.
Cool! You've made me feel really good about my decision to go naked on the neck/headstock and go with dot inlays. The top has more than enough bling. The covered neck pup is a cool touch. This is a true rawk machine. Beautiful guitar.
Matthias Jabs and Rudolph Schenker were always the sound of the Scorps to me. I was late to the band and got into them with Blackout and Love Drive. I always enjoyed their playing.
I had one of those. Loved the sound. But I don't do well with them Floyd Rose trems. So off it went. When I was a younger man, I recall a bourbon soaked evening with buddies where we got our guitars together (we brough a couple from our collections). The tone snob of the group who started off with, "what's a Hammer?" His eyes just lit up when he played that Centaura, "this is a great guitar!" And I can't believe I forgot to mention my TLE with the sustain block. What a great sounding guitar. Darn neck is too thin so I can't play it for as long as I'd like. If you like 'hog and short scale, but want the shredder vibe - TLE is also worth exploring. If you like those shreddy type guitars or if you like super strats, I don't think you'd be wasting your time if you have a chance to play a Centaura.
And to make it more confusing, I thought the Tally Pro had a "softer" V shaped neck than the Tally. I really liked my Tally. Shouldn't have let her go. When I visited BCR, I got my mits around a US Masters Hornet with a really cool asymetrical neck - that one was comfy to play too.