they called me 4 years ago for an Elvis show, I suppose I impressed em and kinda became the "pop" guy over the course of time, 2 years ago we got a new artistic director ( head guy ) and I was already the " pop" guy and he likes pop LOL. I'm so happy to have this gig. I find it much more rewarding than cover gigs and about dead even w/ the best of the showcase original gigs. Everything is pro from in ear monitors w/ your own mix to the pay scale to the people involved. The ABBA singers sightread 3 part harmony from the Mama Mia score and sounded like the movie first try. I played w/ 2 guys who were/are involved w/ the Trans Siberian Orch. The sax player was in Glenn Miller Orch, it goes on and on like that. The music is really hard compared to most stuff, check out the insane 5/8 " Sunset Bvld" by Weber, sounds so smooth and its relentless 5. I'll bet I've played 32 bars total in E A or D, flat keys rule the theater world LOL. It's improved my reading and my acoustic playing tremendously. I'm not sure if I could do years of the same show like some of those broadway cats do, cause I love the variety. I am looking into sub situations for some big city shows, I guess I'm into it LOL Congrats, Bill! Takes a lot of work to play at that level. Good on ya!