velorush

Oh, the unrequited love I have for the Ibanez RG! And that one is even more spectacular than the dayglow finishes.

I, too, was all in until I read 0.83" at the first fret. At that price I didn't have a problem with anything else. Love the black on an Eclipse.

🤣

Might I recommend also the complimentary product:

It's fabulous!

Pffffft. My guitars list themselves on Reverb! "Free to good home"

Don't know about @Jakeboy, but growing up in the 70's / 80's the new ones my buds owned were 13# monsters I wanted nothing to do with! I stuck with SGs and ES Gibsons until I finally bought one of the new Lesters in 2020. I will say it took quite a while to get used to the quirks, but I really get the veneration now. They're great.

I haven't played many PRSi, but the KL380 I played was an absolute exception to the rule. (random interweb photo)

IIRC, he started on clarinet. Did I imagine that? Fan since the 80's. Saw him in concert in '84 backing Al Jarreau (David Sanborn was the opener). Pretty sure he produced the AJ album he was touring. I'm a fan of his Sunday afternoon program on Real Jazz (XM radio) - usually catch some of it heading to PM services. It's often a teaching program and I find it really interesting.

Do not threaten me with a good time! 🤣

This may get me banned, but... I arrived at college in the Fall of 1982. I was immediately informed (independently) I had to like Jimmy Buffet and Bruce Springsteen. "Well, up all of ya'll's," I said. I liked exactly one song from each of them, "Why Don't We Get Drunk (and Screw)," and "Pink Cadillac," respectively. Couldn't stand their other output - on purpose. I had "Parrot Head" fraternity brothers that were an absolute nuisance, but only when the JB music was blasting. Go figure... My roommate for one year was a "Boss" fan. We got along splendidly, except when I just had to listen to this song or that. Go figure... I can appreciate the undeniable talent of Croce, Lightfoot, Simon & Garfunkel, all that soft acoustic fingerpicked business, but I can't take the utter slash-my-wrists delivery. I am sure it speaks only to my shallowness or maybe because that stuff was on AM radio as I experienced some of the most traumatic and dreadful days of my entire life (i.e., elementary school). 😆

Wait... so that was why I drank heavily... to excess... to (near) death? No, no, no. I started that way before 1988. But it was cool to consider a plausible (extra-reality) excuse for a couple of seconds... 😂

Congratulations. Tell Lerxst and Dirk I said, "hello."

One of my favorite all time artists. I heard SATFS on AM radio all during my childhood. Years later (teens) I caught grainy video footage of Woodstock and was floored by some unknown funk band that came on in the wee hours that (IMO) blew everyone away - had no idea who it was at the time. His music is on regular rotation in most every playlist I have. What's that Rick? Tragic! Absolutely tragic.

Well. This has left me pondering. I did chuckle when I saw the guitar player (with an SG) begin to rock back and forth.

Came here to post that very thing. @Willie G. Moseley beat me to it. I thought that was expressly stated in the Netflix documentary. Norm's lost it? Unlikely? ETA: Google AI confirms it (FWIW): The iconic cherry red Gibson ES-345 guitar used in the movie Back to the Future was borrowed from Norman's Rare Guitars in Los Angeles. Norman Harris, the owner of Norman's, initially warned the filmmakers that the ES-345 was not the correct instrument for the 1955 setting of the movie, as it was released in 1958. Despite this, the filmmakers chose to use the ES-345 for its look, as they wanted a slimmer and more streamlined guitar. The guitar's iconic status has led to a global search by Gibson to find it, as it was lost after the film's production. A documentary, "Lost to the Future"., is also being produced to celebrate the movie's 40th anniversary and document the search for the guitar. The ES-345's unique features, such as the solid parallelogram inlays at the 12th fret and a custom-ordered or factory second, are being used to help identify it if it's found.

Absolutely killer rendition of "Blue Collar Man!" Thoroughly enjoyed that! Great ad for the amp.

NSOS!

Thorn morphed into Ting Ho something or other toward the end. Lemme Google... ETA: DUNG! Thorn morphed into Ting Ho Dung: Ting Ho Dung's Content - Page 15 - Hamer Fan Club Message Center

This came up in my feed this week but being skeptical I didn't watch it. I clicked on it here and got pulled in. Interesting approach. Reminds me of that guy who was redoing the Faded Les Pauls back in the 90's or 00's. Can't remember the name or really what all he was doing. Thinning the neck was almost too much to bear, but the rest of it was really cool (not a fan of beating up a guitar intentionally, but that's personal preference along with the R8 neck girth). I do say I prefer his relic job on the neck to anything I've seen done on any of the Fender variants where they simply strip off the finish. I like it, but I'll stick with my '19 plant guitar. It's way too good for my level of talent. Kudos to those whose talent / means merit something like this.

I have never been around a single Klon (I mean, what would a $$$$ pedal be doing between the swamps, really?) until I went to see Kevin Eubanks in concert. Playing was brilliant, but I noticed every time he went to a dirty tone it was terrible. Like JC120 distortion terrible (anyone else remember that?). He had only a few pedals on the floor and after the concert I edged up to the stage to see what he had. Klon. I never actually wanted one due to the price, but after that I really was never even curious.

What's it like?

Wasn't a fan in the 80's (my head was too far up SRV's butt to care), but this popped up in my Spotify feed yesterday just as I was beginning my workout. I found it very musical, melodic and absolutely unrelenting. Great workout playlist.

Oh my!