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string gauges & tunings?


dragan

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Posted

was wondering what string & tunings everone is using these days , brand/type of strings ?different gauges for drop tuning keys &/or open tunings? scale lengths ? styles of music ? I'm using pretty standard stuff: fender bullets on strats 9-46(custom light) , gibsons, Prs & Hamer GHS boomers 10-46 or 9.5/10,12,16,26,36,46, acoustics 11-52 elixers all standard tuning. 12-54 electric round wound for the resonator in open G. playing classic pop/ rock ,newer blues & newer country.

Posted

10-48 on everything, regardless of scale length. Standard tuning with the rare case of dropped D every once in a blue moon.

-

Austin

Posted

I used 0.09's all the time until about ten years ago when I switched to 0,10's.

During this year I started using 0,09's again on some guitars. I use nines on the T62 and on the Super Pro. And sometimes on one of my Sunbursts. I get a really Jimmy Pagey sound from that Sunburst with nines.

I still use tens on the other guitars, but I'm experimenting. I think that nines work better on 25,5 guitars, and tens on the 24-3/4 scale fiddles. But it's like pickup and magnets really, some guitars seem to work best with nines or tens. I guess one could try thinner or thicker strings as well but these does it for me.

As for strings I have been using Daddario XLs or SIT's. I have bought Pyramids round wound nickels lately. Very nice strings, made the way they did them back in the 50s.

Posted

Disturber "I think that nines work better on 25,5 guitars, and tens on the 24-3/4 scale fiddles. But it's like pickup and magnets really, some guitars seem to work best with nines . "

I do the same but its more about how the strings feel bending

Bennyboy-UK I've not tried the unicorn piss !

Posted

10-46 on everything. Morpheus DropTune for alternate tunings. I picked it up NOS locally about a month ago and I LOVE this thing.

Posted

GHS Boomers 9-46/10-46 depending on scale, standard tuning across the board unless I have a D-Tuna engaged (or is it disengaged?), then it's drop D.

Lots of relevant info in this thread

Posted

Electrics:

10's on Fender scale, 11's on Gibson scale, sometimes a "heavy bottom" set for extra oomph.

I keep my electrics in standard tuning.

I'm thinking about trying flat-wounds on my Carvin Fatboy when/if it arrives.

Acoustics

"Light guage" (which may be 11's or 12's, depending on brand) for standard tuning,

"Bluegrass guage" for open D or DADGAD.

Posted

10-46s tuned to D standard @ 432hz on all (Floyded or not). I'm using D'Addario's + Rotosound Yellows. I dunno which I prefer but the Roto's were recommended to me & I have no reason to stop buying as they are cheap (in bulk)...

Posted

Nickel .009s on electrics, either D'Addario or Slinkys. D'Addario Custom Light (.011-.052) Phosphor Bronze on my Ovation acoustics (non-electric models). Standard tuning, sometimes down half a step, depends on my mood and the weather.

Posted

10-46 on everything. Morpheus DropTune for alternate tunings. I picked it up NOS locally about a month ago and I LOVE this thing.

good to know Ive been wondering about that pedal

Electrics:

10's on Fender scale, 11's on Gibson scale, sometimes a "heavy bottom" set for extra oomph.

I keep my electrics in standard tuning.

I'm thinking about trying flat-wounds on my Carvin Fatboy when/if it arrives.

Acoustics

"Light guage" (which may be 11's or 12's, depending on brand) for standard tuning,

"Bluegrass guage" for open D or DADGAD.

Please post an review of the fatboy when you receive it , Ive been curious about that gtr since they introduced it

Posted

D'Addario 10-46 on all electrics. Martin SP's on all acoustics. Mostly standard tuning but with the odd drop d, down half step, and DADGAD once in a while (mostly for Led Zep Kashmir).

Cheers

Posted

D'Addario EJ-21 set which is 12-52. Whole guitar one step down. Sounds and feels great but I have been doing this exclusively for over a decade now. I can't even test light gauge guitars at stores anymore

Posted

On a somewhat related note, I spent a few months playing only an acoustic with 13s on her. After that 9 and 10 gauge felt like spaghetti. No problems bending them for quite awhile.

Posted

I use Elixir Nano .9's on all my Floyd guitars and .10's on everything else. (T51, Artist, G&L Legacy)

For Acoustic I like Martin SP custom lights. Martin strings for Martin guitars...

Tuning wise I stick with 440 95% of the time, on rare occasions drop D. (Years ago I did used to do the half step down thing.)

Posted

On a somewhat related note, I spent a few months playing only an acoustic with 13s on her. After that 9 and 10 gauge felt like spaghetti. No problems bending them for quite awhile.

I choose string gauge more on how the guitar sounds than if it's easy to bend. Sometimes 0,10's sound to distinct and harsh on a perticular guitar, then I go with 0,09's.

My T51 likes the 0,10's, my T62 likes the 0,09's - that's when they sound best.

Posted

On a somewhat related note, I spent a few months playing only an acoustic with 13s on her. After that 9 and 10 gauge felt like spaghetti. No problems bending them for quite awhile.

I choose string gauge more on how the guitar sounds than if it's easy to bend. Sometimes 0,10's sound to distinct and harsh on a perticular guitar, then I go with 0,09's.

My T51 likes the 0,10's, my T62 likes the 0,09's - that's when they sound best.

Lower gauge seem better on trem equipped guitars.

Mostly with strings, it is the feel for me. If she feels good, I can get her to go where I want, when I want. Not always, but in general.

On a 25.5 scale, 8s are just too loose, but I can do 9s or 10s. On a 24.75 scale, 9s are too loose but I can do either 10s or 11s.

My 81 Standard has 11s and she feels perfect. But 11s are too much for my SG. 10s are just right. Maybe I am hearing something too and just don't realize it as my focus is on the feel.

Posted

I have a set of GHS Boomer .12-.52's on my Hamer Studio. I usually use .11's on my Fender scale guitars so I went up to keep the tension the same. Debating whether or not I want to go back down to .11's but I still have at least 5 packs of the .12's left.

My Hamer Cruise has the .45-.105 Rotosounds on it.

Posted

11s for electrics, all scale lengths, except 10s for trem-equipped guitars.

"Light" for acoustics.

.045 - .105 for long scale (34") bass guitars.

.051 - .110 for 3/4 size (41" to 43" scale) double basses.

Posted

On a 25.5 scale, 8s are just too loose, but I can do 9s or 10s. On a 24.75 scale, 9s are too loose but I can do either 10s or 11s.

this. i notice a slight difference in brands, but since changing careers i now shop the clearance bins.

i use light gauge acoustic strings (11's w/ a wound 3rd) on the duotone when doing an acoustic gig.

i tune to Eb to help w/ vocals and overall heaviness.

Posted

oh, i went to lighter strings after injuring my hand in my bike accident oct 2010.

i did like electric 11's on the duotone for generic hustles jazz/funk shit (tuned to E), but

nowadays w/ wizard sleeves hard rawk stuff its 9's on the ibanez.

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